Be sure to "Like" Ear to the Ground on Facebook!
The 1st Annual E2TG Awards (The Earies) continues... Today's award ended in a tie (expect several to end up this way). Today's award is "The Better Late Than Never Award" (aka "The Anti-Hipster Award".
About the Award: As a respected music blogger (ahem!) and journalist (ahem!), I do pride myself on "discovering" new artists early on in their careers. However, I also recognize that there is (and has been) a ton of great music out there, and that I went through periods where life and all kept me from being on the cutting edge like I am today (ahem!). I also remember the days of trying to outdo people by claiming to have been a fan of (some band or artist) since before they had even played their first show or whatever. So, these days, when I "discover" music that is new to me or that I have been aware of but not really checked out thoroughly, I just proudly admit that fact and move on.
The two winners of this award are both Nashville artists who released albums prior to 2015, but that I did not get my grubby little hands on until this year. Do I wish I had heard the heard the music sooner? Sure, it's good stuff, which is why I am handing out the awards (again, no actual trophies will be exchanged).
Winner #1: Paul Zografi - Bright (Released 10/2014)
I met Paul at Bobby's Idle Hour through Tim Carroll which is when I copy a copy of this album which I fell in love with. Found out he shares at least one band member with Joe Nolan who was also playing at Bobby's that night. Zografi's music has clarity and understatement and really good songs.
Winner #2: Richie Owens and the Farm Bureau - Tennessee (Released May 2014)
There was a even longer interval between the release of this album and my getting hold of it, and in this case, I really don't have a good excuse. I first saw Richie Owens and the Farm Bureau late in 2014 at Rocking Roots Guitar Showcase during Americana week. (I have been a fan of Richie's music for over 30 years). I have been fortunate to see them live on a number of occasions since then, but I didn't get a hold of the album until a chance encounter with Farm Bureau bassist John Reed downtown over the summer. The album offers a rootsy, rocking history of the Volunteer State through familial and public stories that span the state. Owen's besides being an amazing instrumentalist and songwriter, is able to provide an authentic and honest voice to the stories. Plus, he has more first hand stories of the beginnings of Nashville's independent music "scene" than just about anybody I know.
Congratulations to the winners! More to Come....