Showing posts with label E2TG Review. Show all posts
Showing posts with label E2TG Review. Show all posts

Thursday, February 16, 2017

E2TG Reviews: Never Meant to Last - Sean Quinn and The Tremblers



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“Summer loving is so typical, for the first time it feels like it’s reciprocal. I saw you dancing on the side of the stage, trying so hard not to act your age.” 

So, begins “Later Days” which, after a short, sultry instrumental "Prologue", kicks off Never Meant to Last - the debut album by Sean Quinn and The Tremblers. This is pure, kick ass, sweet, ballsy pop music. Bringing to mind music from several decades before, but refreshingly original and catchy as hell.

Friday, December 2, 2016

E2TG Review - Josh Morris: Can't Wait 'Til Now



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I have been following Josh Morris’ music career for several years now. First, as one half of the duo And the Giraffe, and later as a solo artist and producer. His first solo EP, Greenfields, was one of my favorite releases of 2015, and that year, he produced Real Bad News, the debut album by E2TG Artist of the Year Jon Latham.  

Morris has been busy in 2016: working on Latham’s follow up effort, working on a forthcoming Darrin Bradbury (another E2TG Artist of the Year) album among several other projects. Plus, he went back to school. In between all of that, he found the time to record his first full-length solo album.  Can’t Wait ‘Till Now is being released today (December 2) with a CD release show set for December 3 at The Country.

“Amusing to Me”, the opening track, has the hallmarks of a great Josh Morris song: a hook-laden melody that recalls some of the great pop music of the last half of the most recently completed century and smart, witty lyrics - “I’ve been looking for God, but He don’t drink at the bar.”  From this opening track, however, it is clear that Josh Morris is ready to expand his musical palette.

There is a lot going on musically on this album - like the organ sound at the beginning of the second track, “Waste Your Time”, but the musical acrobatics never distract from songs. It is Josh Morris, the producer, who gets the credit for that, and it is one of the reasons that he is one of the best new producers working in Music City.

The song, “Waste Your Time”, has the feel of a hungover morning filled with a hazy feeling of regret. “Slow Down” has been getting some local radio airplay. The driving insistent melody and the unearthly vocals make this a stand-out track.

Much of the rest of the album are slow songs buoyed by the vibrant musicality and the rich lyrical prowess.

“I Promise I’m Scared Now” is a stunning instrumental with flashes of warm ambient electronic music.

The album closes with “Heart Bleeds” which employees a discordant wall of sound that fades and returns and surrounds the moody introspective vocals and lyrics.

Can’t Wait ‘Til Now is, in the end,  a great pop album that shows off the growth and maturity of Josh Morris as a performer, songwriter, and producer.  On this album, he is backed by Cory Nichols and John Gentile, who both played on Greenfields, Jon Latham who adds guitar to three songs, and Mike Burns who plays slide on two tracks.  Jennifer Pappas provided the artwork, as she has done for virtually all of Morris’ releases.

The album is out now. You can stream it below, and you can buy it from the usual outlets. Now, who wants a doughnut?








Friday, January 15, 2016

The Importance of Framework - Backbone by Zachariah Red: The E2TG Review



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The backbone is  literally part of the skeleton or framework of the body. A carpenter by trade, Zachariah Red, knows about the importance of framework.  On his aptly titled new album, Backbone, he frames the album with a solid mix of Midwestern County, heartland rock and roll, and solid songwriting skills that he has sharpened to a fine point during his time in East Nashville.

Friday, January 8, 2016

Weapons of Minor Disruption - "The Shoreline Sessions" (An E2TG Review)



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The Shoreline Sessions is a new EP and mini movie from a new project called, Weapons of Minor Disruption that features the genius mind of Robert Loncto of The Danbury Lie.  The project, which releases on January 8, comes on the heels of the full-length DVD Whispers to Oblivion. That project set video of Loncto’s cross-country trip to the music of The Danbury Lie.  For The Shoreline Sessions, the films are more experimental and the music is all original.

Saturday, August 30, 2014

Redneck Noir: E2TG Reviews Motel Oatmeal by Darrin Bradbury






About a month ago, Darrin Bradbury sent me some songs he was thinking about releasing and wanted to know my opinion.  So, I listened - cause when it comes to music well that is what I do - and when I was done I told him what I thought.  Spoiler alert: he ended up releasing the album Motel Oatmeal on August 5 some seriously cool folks had good things to say about it, and it was trending as a bestselling "Folk" record on Bandcamp for a time.  Darrin told me a few weeks back that my comments help convince him to release the record.  I said at that time that I should tidy up those comments and post them as a review of the record.  So, in my usual timely approach, I offer up what will serve as an official E2TG review of Motel Oatmeal - which is still the most current release from Mr. Bradbury.

Hopeful Resignation: An E2TG Review of My Country by The Grey A



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Monday, September 30, 2013

E2TG Presents: The Grimm Generation - The Big Fame - Review Vol. 1





"Great Rock and Roll record define the time they were made. Welcome to 2013."
 
 
 
I can't remember when I first came across the music of The Grimm Generation. I think maybe another band I follow mentioned them.  I do remember hearing "Sometimes I Subtle (Sometimes I'm Drunk), and I remember thinking, "Wow, this is music everyone should hear", and at  the same time thinking, "I feel like I already know this music.".  I later had the opportunity to do a brief e-mail interview with the band, and it began to make sense.
 
You see, and what has recently begun to gel in my mind is that The Grimm Generation make the music I would make if I made music (and if I was talented).  We come from the same place age and influence-wise (and perhaps experience-wise as well), and so - although I do like have very diverse tastes in music - The Grimm Generation manages to hit all the right spots in my psyche, and thus, as word began to build about a new album I couldn't help but be excited.